石渠寶笈初編(養心殿),上冊,頁461-464 &*故宮書畫錄(卷三),第一冊,頁160-164 &*故宮歷代法書全集,第十一冊,頁118-157、202-208 &*1.何炎泉,〈蘇軾書尺牘(北游帖)、尺牘(渡海帖)〉,收入林柏亭主編,《大觀- 北宋書畫特展》(臺北:國立故宮博物院,2006年初版一刷),頁475- 478。 &*蘇軾(1037-1101),字子瞻,號東坡居士,眉州眉山(今四川)人。此札書寫對象是祥符寺僧可久,可久為當時著名詩僧。書寫時間為元豐二年(1079)五月廿三日,乃蘇軾離開杭州北上第五年,故謂「北游五年」,當時任湖州太守。同年八月,蘇軾即因「烏台詩案」入獄。此帖相當注重筆鋒的運用,書寫時的提按使轉,都依循著魏晉的傳統,為蘇軾「姿媚」書風代表,反映出早年受〈蘭亭序〉之影響。(20061206)&*Su Shih, style name Tzu-chan and sobriquet Tung-p'o chü-shih, was a native of Mei-shan (modern Szechwan) in Mei-chou. This letter was written to the monk K'o-chiu of the Hsiang-fu Temple. K'o-chiu was a famous poet-monk of the period. The letter was written on the 23rd day of the fifth lunar month of 1079, the fifth year after Su Shih had left Hangchow for the north. He therefore used the expression “(after) traveling north for five years” and was serving at the time as Prefect of Hu-chou. In the eighth lunar month of the same year, Su Shih was imprisoned on account of the “Wu-t'ai Poem Case”. This letter focuses strongly use of the brush tip, the pressing and turning in the writing following the traditions of the Wei and Chin dynasty calligraphers. This is representative of the “charming” style of Su Shih's calligraphy, reflecting the influence of his studies of the “Orchid Pavilion Preface” in his early years.(20061206)